Showing posts with label Local Music. Show all posts
Showing posts with label Local Music. Show all posts

Sunday, August 31, 2014

Local Artist Spotlight: The Returners

For this spotlight, I am going to detail a group that I alluded to in my previous post on Orlando Nerd Fest, The Returners. The Returners are a five piece group from Austin that positively blew me away; this was due in part to many factors. To organize my thoughts, I feel it will be more interesting to convey my chronological thought process rather than structure by topic.

My initial reaction right from sound check was that this band was going to bring something big to the table. I was instantly filled with anticipation sheerly by virtue of keyboards and a flute! Given my music tastes, this should come as no surprise. The next thing that caught my eye was the double bass drums. This is where I really started to get excited. Keys and flute suggest some sort of folk or orchestral type arrangements, but double bass can only mean one thing: metal. Following that, I noticed the fretless bass, so my assumption there is that the bassist is going to be quite talented. And, to cap it all off, the guitarist is wielding a seven string guitar. For those of you counting at home, that's five out of five on band members that have me amped up for the performance, and this all before even a single note has emanated from any of the speakers.

After all of this initial anticipation, the event itself didn't disappoint, in fact, it met and exceeded any and all expectations I could have had. If you were to take this band out of this convention room and drop them onto a stage with thousands of people watching, they'd fit perfectly. It was unbelievable. I thought they excelled in so many aspects of their performance, particularly for a group that just formed last year. The musical talent is evident; they can flat out shred. It's the little things, though, the attention to detail, that I felt really made them stand out and created that much more of a lasting impression. There are many bands with a great deal of talent and who can perform in front of an audience, but creating a cohesive setlist with a good flow so that it guides the crowd through a vast gamut of experience and emotion is something that is not quite as easy to do, but the The Returners did a very good job of that, in my estimation. They went loud, they went soft, they picked up the pace and brought it back down, they mixed in vocals with instrumentals, and they did it all with transitions that produced a very good ebb and flow for the entire set (and also within their songs and medleys given the arrangements they created). Staying on the subject of the setlist, too, it was a very diverse, well thought out, and well executed blend of tracks. They hit on crowd favorites, but they really went with some less widely known tracks that I definitely appreciated, Ecco being one of the games that I was really pleasantly surprised to hear. My second favorite song of the set (I'll get to the favorite in a second) was their Star Ocean 2 Medley. I think this song really summarizes all I've commented on quite well, both in terms of musical talent and the thoughtful arrangements. The video doesn't do them justice, as the sound really mutes the bass, but you get the general idea of what they bring to the table.

So, back to my favorite song. All this time I have spoken very little about the vocals of this band, which are perhaps the greatest of their many strengths. Lauren, "The Flute", in addition to being a talented flutist and knowledgable video game enthusiast is a phenomenal opera vocalist. This surprise was spoiled given she opened with a vocal intro for Random Encounter earlier in the day, which is probably a good thing because if I had discovered that along with all of the other astounding revelations about this band all at once, I'd probably have to watch the show from the floor because I wouldn't be able to pick my jaw up off of it. While much of their performance is purely instrumental, Lauren definitely has her moments where she puts the pipes on display, none more so than their cover of Phantom of the Opera. Now, here's the thing, right from the instant I heard the first organ note, my thought is "you don't do Phantom of the Opera unless you know you're going to nail it". I knew Lauren could nail it from her vocals in other songs, but here's where they left the crowd in awe: John, the drummer, absolutely killed it on male vocals. His vocals alone are incredible, but the fact that he can sing like that while playing drums is pretty remarkable. Here's a guy who could never pick up a drumstick again and focus solely on singing if he wanted to, and he'd probably be very successful doing it. If I had to guess, though, he's probably in like 10 different bands because he's a drummer, and that's what drummers do, right? Supply and demand :) Don't take my word for it, though, below is a video. While the song is also in the video of their set linked above, the vocals are barely audible in that video, and in this video you can hear them pretty clearly (albeit with video from the opposite side of the room).


Music aside, the band members were all so incredibly friendly. While I didn't spend an incredibly long time talking to everyone, it was long enough to see how humble they were and very gracious of the support they'd received. I also don't think it would be a stretch to declare Lauren as the nicest person ever. She really is so sweet. So here's a proposition for everyone (yes, all my legions of readers, haha): go to the Facebook Page of The Returners and "Like" them. Let me know in the comments, and I will do a drawing at random for one person that I will give a digital download pre-order for their upcoming album, Immune to Silence (what an awesome name, by the way). Who can argue with free music? Plus, when you factor in the lack of readers, poor distribution of posts on Facebook, and the general laziness of people, you're probably going to end up with like a 50/50 shot to win, so take advantage of the easy numbers game you'll be getting into. Worth a shot, right? The Returners, to me, are a band with limitless potential. They already have talent and performance beyond that of so many acts, and as they spend more and more time together, they will only continue to become more polished, have tighter performances, and expand their repertoire of songs. I am very excited to see what the next chapter holds in their story.

Sunday, March 16, 2014

Local Artist Spotlight: The Loudest Silence

Here you'll spot a quirk that I alluded to in an introductory post; my local artist spotlight features a band from Sarajevo, Bosnia. No, I did not relocate to Bosnia, so this band isn't technically "local" to me, but I use the term as they are a band that hasn't hit it big, or that is a relative unknown compared to other bands. In any case, I just discovered The Loudest Silence and was compelled to write my initial thoughts on the band.

The Loudest Silence are an atmospheric symphonic metal band. First off, let me say that this is a spectacular combination. Symphonic metal tends to always lean more toward the power metal or gothic metal type of music, and atmospheric metal often finds its way making its way over to the doom side or out of the metal genre altogether. The way the band melds these two elements together is quite impressive. I half expected the characterization to be one of those occurrences where a band simply tags a ton of genres that have even the slightest iota of influence just to reach more people, but that is not the case here. The first song I listened to, also called The Loudest Silence, showed off the atmospheric element without having metal in it whatsoever. I progressed onto Acheron, which I have included a video below:


One thing that stuck out to me at this point was that I didn't know what to think about the vocals. Taida has a very lovely voice, but it seems to me that at times there is some indecisiveness. My thought is that it is not easy to balance atmospheric style vocals, much like the ones in the song The Loudest Silence, which are lighter and more ethereal, with vocals that have more force behind them like the operatic vocals more characteristic of symphonic metal. I also felt she cuts off her notes early in some instances where she should have held them a tad longer and faded them out. All in all, though, this was nitpicking a little. Once I got to 1:48 in the video was when I really started to appreciate both the instrumentals and the vocals, and these small criticisms subsided as I fell captivated to what I was hearing. Taida keeps going higher and higher with her vocals, and the instrumental work get better and better as the song goes on. The keyboards in particular play such a critical role; not only do they set the overarching atmosphere of the track, but you have the more symphonic parts adding intensity in some sections of the song, whereas in others, Denijal switching the Korg over to other instruments and adding very somber elements to the track.

One last thing that struck me with this band is that they capture metal very well, yet there are still parts of their songs where I could almost see the music having appeal to more mainstream type listeners, despite it not sounding generic. This is very difficult to do, as metal is such a polarizing genre of music. Overall, I think the group has a lot going for them; they seem to take their work seriously in all facets. Their music is terrific, they have a good image and already have some good band photography done of the quintet. They'll continue to grow and perfect their trade, I have no doubt. Their biggest obstacle will be getting their name out there. I really hope that a year from now I can be writing about a big success story coming out of Bosnia! Take a listen and let me know what you think.

Friday, March 7, 2014

Local Artist Spotlight: SML8

Today's local artist spotlight features a band I have photographed probably more than any other band, and they are one of the few bands I have photographed in multiple states. In fact, from February 2011 through June 2012, I didn't miss a single show of theirs.  Hailing from Daytona Beach, SML8 is an industrial metal group that produces what I like to call "harmonious chaos". SML8 is the product of a number of contributing members over the years, but the one constant has been musical mad scientist, Scott Van Horn. Scott is always tirelessly working away and looking for ways to improve the band. Whether it is experimenting and working new elements into his music, adding talented musicians to the live performance for the best live show possible, coming up with ways to improve the stage effects, or thinking up new ideas for merch, Scott truly keeps busy each and every day making sure he is doing everything possible to help SML8 grow as a band.


There's no shortage of good things I could say about the band in its entirety after getting to know everyone over the years. The music offers a myriad of different elements, as you can go from dancing to thrashing to quiet reflection throughout the course of their material. Despite having a few lineup changes over the years, the band always has a great rapport, which is a product of the group being comprised of down to earth people, none more so than Scott. You'd never know just how good Scott is at what he does because of his laid back, humble attitude, but get him on a conversation about gear or sound production, and you'll know you're dealing with someone who knows his stuff. The band enjoys doing what they do, and it's so much more enjoyable to watch a group who you can connect with by talking to them (and I mean talking, not just exchanging shallow pleasantries) at the merch table, a very well organized and thought out table by Skye, I might add. Their first full length CD, Surreality, features a rare production quality and attention to detail that often is lacking with other local musicians. Overall, there's a lot to admire and respect about the group.

Now, shameless pitch: SML8 actually has an Indiegogo campaign running right now to help fund their forthcoming EP, Incept. As per usual, there are a ton of great perks available of contributing, and you'll notice that there are deals to be had. Very rarely will you find full album downloads for $5, like their deal for Surreality. If you take a listen and really love what you hear, the $50 for all of their work past, present, and future will be a steal. They've got old demos, a song cover, and other unreleased material that is definitely worth hearing, and getting all the subsequent releases makes it the gift that keeps on giving. The link to the campaign is below. Let me know what you think!

http://igg.me/at/SML8Incept/x/148216

Friday, February 28, 2014

Local Artist Spotlight: 9th Evolution

As if people haven't noticed yet, I am very enthusiastic about local music and unconventional genres. Today I present you both, as it is the CD release date of 9th Evolution's No Devil liveD oN album, which can be found on Bandcamp:

http://9thevolution.bandcamp.com/album/no-devil-lived-on

Hailing from Pinellas Park, 9th Evolution isn't a band, nor a musician, it's a catharsis. With many bands, you might say that an individual is the "mastermind" behind the band. That's not the way to describe Nick; Nick is 9th Evolution, or maybe 9th Evolution is Nick, depending on how you look at it. He is responsible for all of the writing, both music and lyrics, the recording, and every other component of the project. He has a live band to perform with, but make no mistake about it, this is Nick's heart and soul.

I saw 9th Evolution for the first time back in 2011 in Orlando at the Florida Underground Industrial Music Festival. I really enjoyed the show, so I picked up an album that ended up getting stolen that night. I didn't realize it was gone until about 4 A.M., long after just about everyone was gone, so there was no hope of buying another album. Much to my surprise, when I went and found their page online, The Life Atomic was available for download for free. Why? Nick felt it was more important to share his music than to profit from it. The music caught me, but the attitude reeled me in. This was not a hollow gesture or a one-off occurrence. Over the years it is a consistent 9E theme; Nick has eschewed labels to stand for his music. He wouldn't change his music because it would be asking to change himself, and his identity is far more important than being part of any label or sacrificing any of his artistic liberties, which I respect tremendously.

One thing you may also notice on the site's Bandcamp page is that he's put out three albums in the last three years. It's a reflection both of his dedication to his craft, and how personal the music is to him. Make no mistake about it, making an album for start to finish is an incredibly difficult process, especially to do in one year, and ESPECIALLY when you are doing it yourself. To replicate that three years running (and if you are a betting man/woman, I'd put my money on a fourth) just shows how much he cares about his craft. Despite the undoubtedly high level of stress to do this, it certainly serves as a release for him, too, and getting to the finish line truly validates all of the struggle along the way.

I am not prepared to give my assessment of the new album, as I have only listened to it once so far (but I have a long car ride ahead, so I get to spend some quality time with the album!), but my initial impression is positive and that the album continues to get stronger and stronger as you make your way down the track list. There's nothing more disappointing than an album that starts out strong and cannot sustain its level past the first five or six tracks, but rest assured you'll have no problems like that here. At the end of the day, I highly encourage others to take a listen and see what unadulterated music passion sounds like.